In this pioneering work, anecdotes and memories interweave with film history, criticism, trivia and confrontational imagery to create a reflective personal history and an examination of female madness, both onscreen and off. Kier-La Janisse’s House of Psychotic Women was billed as “an autobiographical topography of female neurosis in horror and exploitation films,” and explored hundreds of films through a daringly personal lens. In 2012, a book debuted that would go on to canonical status and usher in a new way of writing about film.
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